![]() ![]() In 1947 Stravinsky took on as his musical assistant the young American conductor Robert Craft. He was decorated by Pope Paul VI in 1965. Latin intrigued him in addition to the sacred works, he used a Latin libretto in Oedipus Rex (1927), a translation by Jean Dani élou fron Jean Cocteau's original. Of his own works, only the Mass was written with the possibility of liturgical use in mind, but all are profound and significant contributions to the sacred repertory. He had a special regard for the great composers of sacred music, from the Renaissance masters to Bach. Stravinsky, a lifelong Russian Orthodox, insisted that a composer of sacred music must himself be a believer. In addition, he wrote Mass (1948), Canticum Sacrum (1956), Threni (1958), A Sermon, A Narrative, and A Prayer (1962), Noah and the Flood (1962), Abraham and Isaac (1964), and Requiem Canticles (1966). Among his most popular works is the Symphony of Psalms (1930), a three-movement setting of Latin Psalm texts for chorus and orchestra. With it belong his Credo (1932) and Ave Maria (1934). It has been published with both the Latin and Old Slavonic texts. His earliest sacred piece, the Pater Noster (1926) for unaccompanied chorus, is a simple setting in the style of Russian liturgical chant. Stravinsky wrote a number of sacred compositions, or pieces on religious subjects, several of which rank among his major works. ![]() His adoption of serialism in the 1950s was no conversion to doctrinaire academic avant-gardism, but the absorbtion of the technique within his own musical language. His own musical language never ceased to grow and develop all centuries provided him with musical and literary source matter, which he assimilated into his own technique. ![]() With an output in excess of 100 works, he dominated the world of music for more than half a century. He subsequently settled in Hollywood and became a U.S. He left Russia for good in 1914, and spent the period between the world wars in Switzerland and then France, a time corresponding to Stravinsky's so-called "neoclassical" period, during which he generally employed smaller performing forces (although this was in part due to economic necessity, especially during the World War I years) and compositional techniques that seemed conservative compared to the revolutionary Rite of Spring. Stravinsky's friendship and collaboration with the choreographer Sergei Diaghilev led to the three ballets that established the composer's reputation: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). He worked under the tutelage of Nicolai Rimsky Korsakov from 1903 until the latter's death in 1908. Petersburg Imperial Opera, Igor was permitted to devote himself to music only after four desultory years as a law student. Although Igor's father, Feodor Stravinsky, was a bass in the St. ![]()
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